![]() ![]() Amazing piece, love both romantic and gothic feel of the background.Recent Examples on the Web Books, online seminars, and decoding the wisdom of poets can help people who are motivated toward change. Choosing that sleep for those dreams head on. It makes me feel as if she embraces the companion that joined her and chooses to lead him on the way instead of being led. Her comment was my favorite, although all of them were lovely: I feel like this user really got what I was trying to do. ![]() I'm also going to be featured in a well known digital art magazine soon, and will be officially announcing that shortly."īonus question: Can you cite a memorable reaction to this piece in the comments at DA? There is more imaginative realism coming, more mythology, and traditional (non-digital) work coming as well. ![]() I'm very flattered and humbled at the response to my work, it means very much to me. I'm not used to getting much attention on DA, and to be honest, I don't really fully know how to use it that proficiently, so when I saw all these notifications I thought, "what happened?" But it's been lovely, everyone has been nice and polite and I have nothing but good things to say about my watchers and DA users that I've interacted with thus far. What does this DD feature represent or mean to you at this stage of your artistic development? What can your watchers look forward to next? Put the time in and practice, make things you like, and don't call it done if it looks sloppy." "Speed paintings" and tutorials can be deceiving quality usually takes time. Always push it further, and spend the necessary amount of time to get that quality. What’s one piece of advice that you would share with other artists hoping to reach this standard of work in the future?īe ambitious! Look at the artists and works you look up to and admire, and try to achieve that level of quality in your work. It's often a struggle for me to let go of a piece, I always feel like it's not perfect, and that I could go on forever making changes and "fixing" things but at a certain point, I force myself to let go and call it done." Looking back, I would have spent more time on the sketch and really worked out some of those kinks before adding color, it would have saved me a lot of time that I spent later on making corrections and repainting things. Close to the end I felt quite overwhelmed by all the elements in the painting and trying to make them "work" together in a way I was happy with. It was definitely a difficult and challenging piece for me. Part 2 was accidentally deleted, so it isn't available, but I will be demonstrating my process again this summer live on my Twitch channel for anyone that wants to check that out."ĭid you encounter any creative challenges when working on the piece? If so, how did you tackle them? Is there anything you would do differently now if you could? I work everything out and then I finish by doing all the detailing and little fixes until I think it looks polished.Īlso relevant: There is a video on my YT channel (which I've sadly neglected) that shows my sketching to grayscale process on my Lilith painting. In this case, most of my focus was on the beauty of the female subject and mysterious look of the male subject. Then begins what I call the "push/pull" struggle of making adjustments and enhancing things I want to keep the focus on, while de-emphasizing things I deem less important. For this particular piece though, I jumped straight into color, without a grayscale version, which is unusual for me. Then I usually paint it in grayscale (just a habit to control my values and make rendering easier for me), and colorize it afterwards with a combination of overlay and soft light layers. I redraw the image with the references in hand, and make all the necessary corrections. When that's finished, I collect reference images, and that includes paying for images I want to use as reference, finding free ones, or taking my own photos of my own models/props. I've always had a taste for the classics and favored realism above all other genres, and that preference has informed my work ever since.Īs far as process, I always start with a sketch to work out the composition and include all the elements I want to put in. I very much wanted those influences to bleed through my own work. I'm very inspired by the Renaissance and by Gothic romance. ![]()
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